Kindred Spirits: "Empire Of The Sun" In Fermentation

I found this Vintage Button at a Bead Show a few years back and grabbed it immediately not really knowing how and when it would be utilized until the Kindred Spirits pieces began to unfold.  Again, the color palette in my mind was moving to a red palette however,  what it ended up being is completely different.  The shank of this button  was removed with the beautiful lady in her Kimono and fan  jumped out to me with "Empire Of The Sun" resonating in  my conciousness.

It was an exercise in color and form by limiting the palette and creating a focus on rhythm and movement.  The shape was also new to me in terms of how it would sit on the wearer.  This is how it looks at this stage, however, it has a bit to go until it completes itself. This will be part of a larger collection within the Kindred Spirits series. 

Iriquois Echoes - In Limbo

This beaded collar had a few new approaches within the Kindred Spirits Series.  When I began to approach the layout of the focal stones, I was not satisfied with the shape of the beaded collar template that was being used, instead I wanted to create a hand drawn base to move forward from so, for a few days the exercise was to come up with a pattern that would accomodate larger stones yet was not over stated.  This is what I came up with.

I began collecting special cut stones and fossils by the talented lapidary artist Gary Wilson thanks to Sherry Serafini's strong recommendation at the Bead and Button Show in 2005.  Ever since, it has been hard to find anyone who is as masterful in his acquiring beautiful stones and his unbelievable talent at cutting and creating these masterpieces.  These special stones have been extensively used in this piece.  

Two main stone types, the first is Chrysolite and the second being Labradorite.  The Chrysolite looks a lot like Turquoise as it has high traces of copper.  The Labrodorite is the luminous bluish stone on the upper left hand corner of the image below.  After that the secondary focal points are mother of pearl disks.  The mother of pearl disks are the ones on the lower right corner.  
As I started my collaging the stones and placing beads on the template, the stones were so mesmerizing that it was appealing to have seed beads echo the shapes and offset the hues as in a rippling effect. So the amount of seed beads in Size 11, 15 and 3 cut 15's required are much higher.  

Rarely do I show people what the back side of the beaded embroidery looks like, so today I took some extra shots to share, really two beads stitched and then backstitched at a time.  It looks like a maze of threads crisscrossing on the back.  It's too bad it ends up being covered once all the bead embroidery is done.

At this point, the main body of the piece is almost complete, and actually today I was so ready to complete it except for one simple reason........ I ran out of the seafoam luster green Delicas that dominate the overall color scheme!  

So, now along with all the other LB o J'zazzers I am eagerly awaiting the first ever shipment of seed beads, Delicas and Czech beads to satisfy my need to bead.  This has been one of the most rewarding beaded collars in terms of the end result and am considering entering the piece in competitions such as the Bead Dreams by Bead and Button and The Saul Bell Design Awards by Rio Grande.  

Will keep you posted as the project nears completion.

 

Kindred Spirits Series Update

As the Kindred Spirits series explored and developed by LB o J'zazz co-founder Lubna is evolving we wanted to share some of the directions and ideas that are the underlying seeds of this dialogue. As mentioned in Lubna's Pecha Kucha performance last March, it is an intra-cultural conversation through beads.

Beads are considered the oldest objects created by man over 38,000 years ago that are the earliest expressions of abstract thought. The fact that special tools were created for this articulation in itself attest to man's evolution of cognition, cultural literacy and development.

The fifth beaded collar within the series is currently under completion and here are a few images. The concept began to formulate as the fourth beaded collar "Fossil Paths" was being completed where the tight color palette of blacks, silvers and greys created a very specific feeling, I wanted to have a burst of contrasting colors and shapes be articulated in a much bolder expression of purples, pinks, violets and greens. At this point in time, the beaded collar is nameless but it has a very "jewel like" feel. Any suggestions for a name would be welcome.

Fossil Paths Beaded Collar Finalist in Bead Museum 1st International Juried Competition

The Bead Museum in Washington, DC is home to one of the most comprehensive exhibits and collections of beads on the planet. Located downtown on 7th Street it is also the abode to the Greater Washington Bead Society. In 2008, The Bead Museum initiated its first International Juried Competition covering twelve separate media categories. The jurors were Mixed Media Artist Joyce J. Scott, Lampwork pioneer Kate Fowle Melaney, Polymer Clay Master Grant Diffendafer, Quilter Laura Cater-Woods and Ricki Pelzman.

Over 443 artists from fourteen countries and forty states within the US took part in this endeavor. I decided it was high time to put out some of my work to see how jurors and peers would gauge the one of a kind objects. We were requested to get high resolution images sent and the category I entered two pieces in was: Seed Beads. Two beaded collars from the series were submitted: Medusa in Beige and Fossil Paths.

In May of 2008, I received a letter that Fossil Paths was chosen as a Finalist and to ship the original piece to the Bead Museum for the final showing. With only three days left to qualify for the jury selection, we had to send the original piece all the way to DC. Luckily, we made the deadline and the piece shown in the image above was chosen as a finalist. The event was highlighted on September 20th, 2008 in the 3rd Annual Passion for Beads Gala Dinner honoring the artists who had participated. Another intra-cultural dialogue that we continue to be a part of.

The process was exciting in itself, assembling a 400 million year old fossil (Ortheceras) found in Morocco as the focal point, vintage seed beads from the Czech Republic, silver bead caps from Bali and Japanese magatama beads ( the drop beads edging the piece) and a customized clasp connection all in the peyote stitch technique and fringing here, in a quiet basement studio tucked away in a neighborhood in Kuwait to enter an international competition for the first time and then to be recognized and celebrated by an accomplished jury of artists in itself was truly an experience to remember.